Saturday
Oct292011

BFTP: How important is certification

A weekend Blue Skunk "feature" will be a revision of an old post. I'm calling this BFTP: Blast from the Past. Original post January 28th, 2007 but written even earlier (clay tablet as I remember). There are rumblings of certification for school technology directors. The observations below apply to us as well.

A colleague asked for a link to this old column that, as far as I remember, only appeared on my website and in my book, The Indispensable Librarian. I am republishing it here so I can find it more easily if it is ever requested again, and so that it has a Creative Commons designation.

How Important is Certification?, 1995.

There are plenty of assumptions about education being closely examined these days of tight budgets, public dissatisfaction with education, and changing work and citizenship skills. One issue which is frequently debated is whether library media specialists need to be certified.

Now I like the idea of certification for professionals in general. I am reassured by the Gothic-scripted piece of paper on mydiploma.jpg dentist's wall that he's had instruction in using the big needle coming toward me. It's good to know one's brain surgeon, airline pilot, and even barber possess a few minimum competencies.

Yet I've gotten bad haircuts from licensed barbers, and good haircuts from self-trained stylists. And quite frankly I've known some certified media specialists that can turn kids off learning and libraries, and some paraprofessionals who are loved by kids, teachers and administrators for the terrific work they do.

How can this be? Perhaps we need to look back and see where and how professionals learn the critical skills they need to administer programs, serve clients, and make good decisions. I tend to divide the skills I bring to bear on my job into three major categories:

1) Technical skills
The majority of technical skills I have I learned on the job. I thank heaven that I had good practicum teachers, fellow media specialists, and especially savvy library clerks and technicians as instructors in these matters. These are skills like book shelving, filing, running the circulation system, processing materials, basic computer operations, network management, and day-to-day tasks of that nature. Not that I necessarily do these things - they are most often done by clerks and technicians - but I have learned them well enough to be able to make good policy decisions which are related to those tasks.

2) Professional skills
Curriculum design, budgeting, facilities planning, public relations, selection, policy making, professional writing, and intellectual freedom fighting are professional skills, and I took these concepts to heart as a graduate student in (do I dare say it?) an ALA library program. Probably these skills could also have been learned in a close mentor relationship with another professional librarian, but since many of us are the sole practitioner of our craft in our libraries, this seems largely impractical. Regardless of how they are acquired, no librarian can run a top-of-the-line program without a solid philosophical foundation!

Now one of the big troubles we have in our field is that there are plenty of "professionals" who chose not to use or exhibit these skills. We have too many crummy collections, dismal curricula, censors, and book-stamping reactionaries who hurt all of us. There is a theory in business that a patron who has a good experience with an organization will tell one other person; patrons who have bad experiences tell 8 other people. Do we need even one ineffective media specialist in our profession?

3) People skills
Now after just reading that diatribe, you are probably wondering what I am doing writing about people skills. They are, however, absolutely critical. The ability to communicate, lead, persuade, commiserate, empathize, encourage, delegate, inspire, compliment, build consensus, negotiate, finesse, apologize, and constructively criticize are what make us effective as both library media specialists and human beings. When our people skills are good enough, we are usually forgiven occasional lapses of technical or professional competence. When they are not present, we can know everything and do everything, but never be very effective.

Where do we acquire people skills? Our families and friends and spouses are the professors in this school of hard knocks. We are all born homo sapiens, but it takes a lifetime to become human. Formal education has almost nothing to do with people skills. I would say the percentage of jackasses among PhD's and high school dropouts is about the same. (Feel free to disagree.)

Do we need certification? Absolutely. Do we need certification which is meaningless because it does not guarantee professional competence or people skills? Absolutely not. It is critical we:

  • raise entrance and graduation standards in our professional schools
  • promote national professional competencies which include information technology competencies and human relations skills
  • refuse to support or protect practicing media professionals who are incompetent, uncaring, or just plain lazy!

I have a son who I hope will lead a happy and productive life. I bring him with me as often as I can to workshops I teach, talks I give, meetings I coordinate - not to be babysat, but to work. At age nine, he is my gopher, my hauler, my phone answerer, my paper distributor - my teaching apprentice. He is paid with the satisfaction he gets from us working together and the occasional trip to McDonalds. As he gets older, his duties will increase. I hope by the time the boy is 18 he will not only have picked up the technical skills I use to teach and manage, but that he has also absorbed my professional values and learned some ways of effectively dealing with people.

Reader Comment

Doug, this is a huge issue for me and my independent school cohort: many (most?) of us do not have state certification. We do have an MLS, and we do as good a job as any certified librarian but... we don't have that stupid piece of paper. I've been "offered" jobs in the public school sector, and then told, "but you'll have to get certified." Why? My years at my schools, the programs I've created - these aren't enough proof that I understand education and libraries and am qualified?

I prefer the term "credentialed". And, like any good credentials, it should be required that we periodically update it. But certification on a state level? Just not seeing it as needed.
January 30, 2007 | Unregistered CommenterLazygal

 

Thursday
Oct272011

Discouraged, but persistent

I'm probably breaking a confidence, but I received this in an e-mail from my daughter yesterday:

I am looking forward to hearing from Paul's teacher at conferences. 5th grade seems to skew heavily toward doing things the teacher's way procedurally rather than actually learning anything or God forbid, making it interesting. Paul was all ready to bring his Vasco da Gama oral report alive with visuals and lots of fascinating tidbits about the "long and uncertain voyage" around the Horn of Africa when he came home and glumly reported, "No props. And we have to stick to the outline." This is the same teacher that feels diagramming sentences is possibly the most important skill children can learn. As baby Miles would say, "It hurts me." I am thankful for EL (extended learning, the G&T program). He's skyping with NASA scientists and building his own website to present his research comparing Australopithecus brains to modern humans'.  I realize, in telling you this, that I am preaching to the choir.

Ironic that this came just a day or so after my little rant about the need to give creativity more importance in all school work. Obviously Paul's teacher didn't read my compelling suggestions. Nor did, I expect, 99.999% of the rest of practicing teachers. In my little pond, I am big frog, but it is a very, very small pond.

Yesterday I gave a workshop at AASL on assessing, planning and reporting for school library programs, attended by about 35 very involved, responsive and thoughtful librarians, library directors and state library consultants. Good people to be sure, but I would say they are librarians who came in already understanding the importance of these things if the profession is to thrive and survive.

I often wonder what percentage of educators read blogs and journals, attend conferences, and engage in other opportunities for growth and improving professional practice? And I wonder how that percentage compares to professionals in other fields like dentistry or accounting or engineering?

I took a lot of heat a few days ago when I suggested that parents should be able to select their children's own teachers with in a school, and those teachers whose classes don't fill be terminated. Would such a plan have prevented the obvious bad match between the type of teacher Paul has and the type of teacher my daughter wants Paul to have?

And while the likelihood of creating teacher choice in schools or reaching 100% of educators through writing or workshops, messages like the one from my daughter renew my dedication as well as frustrate me. I may lose the battle, but it won't be without a fight.

Tuesday
Oct252011

Myths of creativity

Nothing focuses the mind like a hanging.
Samuel Johnson

... as does giving a public presentation.

Having had a long time interest in creativity as a motivating factor in good school projects, I decided in a weak moment that creativity might deserve a short presentation all of its own. So I wrote up a description and the librarians of the British Columbia Teacher-Librarian Association actually asked me to give the talk at their conference last week. So I needed to focus the mind..

Here was the outline:

  • Why is it imperative we take developing creativity seriously? (Daniel Pink, Richard Florida, Ken Robinson, job trends, Bloom, "21st entry skills, Net Gen attributes, etc.)
  • Concerns and myths about creativity. (Totally supported by research my own opinion.)
  • 10 ways to encourage creativity in every assignment.
  • Four practice lessons to modify for creativity. (We ran out of time to do these.) 

Concerns

Concern 1: Creativity isn't always about art. Kids can be creative in lots of areas, ala Gardner's multiple intelligences.

Johnson’s Multiple Creative Abilities 

  • Writing/Presenting/Storytelling
  • Numeric problem-solving
  • Graphic artistic (drawing, painting, sculpting, photography, designing)
  • Athletic/movement (Sports, dance)
  • Musically artistic
  • Humor
  • Team-building
  • Problem-solving
  • Inventing
  • Leading
  • Organizing
  • Motivating/inspiring

Concern 2: Creativity must be accompanied 
by craft and 
discipline. Being creative doesn't mean rules or guidelines aren't present - even necessary.

Concern 3: The world is not really interested in your creativity, but that's OK. Even we don't "see" a child's vision, we need to encourage it and remember creativity can be its own reward.

Concern 4: If we ask students to demonstrate creativity or innovation, we need some tools to determine whether they have done so. Some great ideas from participants in the workshop on this, especially regarding asking kids to articulate the creative process.

Concern 5: Creativity is the antithesis of good test scores. While most tests look for "one right answer," creativity can and should be an important part of school. Is test taking or formulating new ideas the better whole life skill?

Myths of creativity (from Harvard Business School research - Breen, Bill. “The 6 Myths of Creativity,” Fastcompany.com, Dec. 1, 2004)

  1. Creativity Comes From Creative Types
  2. Money Is a Creativity Motivator
  3. Time Pressure Fuels Creativity
  4. Fear Forces Breakthroughs
  5. Competition Beats Collaboration
  6. A Streamlined Organization Is a Creative Organization

Myths of creativity (Johnson)

  1. Only academically “gifted” children are creative.
  2. Creativity does not belong in core courses like math, science, social studies, English.
  3. Creativity is fluff.
  4. Creativity does not require learning or discipline.
  5. Technology automatically develops creativity.
  6. Teachers themselves do not need to display creativity.

10 ways to encourage creativity in every assignment

  1. Ban clip art.
  2. Ask for information to be shown in multiple formats/media.
  3. Encourage the narrative voice when writing and when giving oral presentations.
  4. Ask for multiple possible answers to questions or multiple possible solutions to problems.
  5. Give points for "design” on all
 assignments - more than just
 "neatness counts." (The Non-Designers 
Design Book , Robin Williams)
  6. Instead of simply marking a response "wrong," ask for a reason why the answer was given
  7. Take advantage of free online
 tools. See the change your image workshop.
  8. Ask students to design classroom rules, modify procedures and solve issues.
  9. Honor students’ personal
 interests and unique talents.
  10. Seek out the creative ideas of other educators.

The presentation has some rough edges, needs some trimming, and will benefit from comments from participants. But hey, I had fun with it!